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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>cejy66vd</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Wed 10:15, 18 Sep 2013<span class="gen"> </span> Post subject: louboutin pas cher Irony and the Tragic Dilemma in</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">Marlowe presents in Doctor Faustus [url=http://www.rtnagel.com/louboutin.php]louboutin pas cher[/url] two distinct structures of irony. 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It uses a variation of trochee, iambic and spondee within the decasyllabic line, giving it a melody. This variation for achieving a variety of rhythms was characteristic of Marlowe's dramatic verse. Pause is an important element in the blank verse, providing a variety of rhythm. Marlowe dispensed with the line as a unit of thought, and made the sense run on from one [url=http://www.vivid-host.com/barbour.htm]barbour uk outlet[/url] line to the next, making in the process the paragraph rather than single lines as unit of ideas. This strategy, called run-on lines, is typically Marlovian. Marlowe varies the whole pattern of regulated metrical verse. For him, whatever was the metrical pattern, it had to follow the overflowing idea and that is hardly any splitting of the idea for metrical regularity. This makes for a very compact and forceful expression of ideas. 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